WACIDOM

Saturday 7^th March 2026 1:45pm – 2:30pm

Johanna Leung – Clarinet, Henry George Page – Piano

Programme

Robert Schumann Fantasiestücke, Op.73

1. Zart und mit Ausdruck (Tender and with expression)
2. Lebhaft, leicht (Lively, light)
3. Rasch und mit Feuer (Quick and with fire)

Gerald Finzi Five Bagatelles – “Prelude”, “Romance”, “Carol”, “Forlana” and “Finale”

Dirk Brossé Elegy for bass clarinet and piano

Gabriel Pierné Canzonetta for clarinet and piano, Op. 19

Biographies

Johanna Leung a classically trained clarinettist, graduated with a Master of Performance from the Royal Northern College of Music in 2021 under Antonio Salguero, Chris Swann, Sarah Watts (bass clarinet tuition). She has performed internationally in Reykjavik, Keflavik, Berlin, England and Hong Kong. Active in North West England, Johanna has given solo and chamber performances in various venues including Manchester Cathedral, Sheffield Cathedral, Lancaster Priory, Blackburn Cathedral, Liverpool Philharmonic Hall, MIF Aviva Studio and MIF Festival Square. She has been invited to perform in high-profile festivals and performances including GAIA Festival of The Earth, The Sound of Contagion, Stockton Heath Music Society, Harris Music Preston Concert, Rochdale Music Society 2023-24 season opening concert, Tête à Tête Contemporary Opera Festival 2023, PUSH LAB 2024 and Már Gunnarsson Concert Tour 2024 & 2025 (Reykjavik, Keflavik and Manchester). Johanna has worked with The Halle Orchestra, UnHeard ensemble, Manchester Contemporary Youth Opera and Northern Film Orchestra.

From her early success with the 66th Hong Kong School Music Festival solo clarinet competition, Johanna achieved 2nd prize in the senior solo category of the 2019 Buffet Crampon Clarinet Competition and the Help Musician Postgraduate Award 2020. Johanna has participated in masterclasses from world class musicians such as Gabor Varga, Karel Donal, Walter Seyfarth, and John Campbell. She was selected for the Black Lives Music Professional Development Orchestral Workshop with 1 to 1 coaching from musicians from RPO, RLPO, RNS, LPO and BSO, working on orchestral excerpts and chamber music, and to play side by side with professional orchestral players. Johanna is committed to engage and empower the community through music. She has been directing the Saxophone Ensemble in Bolton Music Service and Stonyhurst college, and giving saxophone and clarinet lessons. She has delivered workshops in Manchester Art Gallery, Manchester Museum, Warrington Art Gallery and Museum, Peace and Mind UK: Peace Festival 2024, Manchester Central Library, CoMA (Contemporary Music For All Comers) Workshops, Children’s Opera Project. She is the Director and Producer of Reimagined City, an Art Council England funded

Johanna has been selected for the Sony Music and Brighter Sound Change The Record Leadership Residency Program in 2025, which invite selected professionals to challenge and reimagine the industry.

Henry George Page (b. 1993) is a British musician who works as a composer, singer, accompanist and continuo cellist. His versatile compositional voice is marked by his love of Renaissance polyphony and Nordic chamber jazz, and the use of timbral effects to heighten harmonic interplay is a focus of his work. He has written for various ensembles, including collaborations with the BBC Singers House of Bedlam; Devon Philharmonic Orchestra; CoMA; Nottingham Youth Orchestra; and Ludlow English Song Festival. Recent premieres include an orchestral work, Vespula Cartouche for Leamington Sinfonia as the inaugural winner of their Patron’s Prize forComposition. Henry completed a MusB in Music at the University of Manchester and a Masters in Composition at the Royal Northern College of Music studying with Emily Howard and Laura Bowler, where he won the Patricia Cunliffe Composition Prize in 2020, and the 2021 RNCM Gold Medal as a composer. Concurrently, he studied voice with Hilary Summers. Whilst there he tutored for the Commonwealth International Composition Competition, and accompanied vocal students. He maintains a diverse portfolio in singing, accompaniment, direction and continuo, originating principal roles at the Grimeborn and Tête-à-Tête opera festivals, and participating in premieres of works by Judith Bingham, Roxanna Panufnik, Mark Simpson and Sir James MacMillan. He directed the SET Collective, a New Music ensemble at the RNCM and served as Director of Music to St Matthew at the Elephant on London’s Southbank. He has worked as a peripatetic singing teacher and accompanist at The Royal Ballet School’s White Lodge in Richmond and regularly accompanies; he jointly won the RNCM Emmanuel Prize in 2020 as an accompanist. Henry is currently Bass Scholar St Olave’s, Hart Street, and deputises with KCL Chapel Choir and Stile Antico; he has worked on recordings for Signum, Delphian and Chandos Records. Recent performances include Jesus in Bach’s St John Passion for Tiffin Boys’ School and Nottingham Philharmonic Choir, the premiere of a song cycle by Richard Whalley at the University of Manchester with the composer, and Counsel in Trial by Jury with the National Gilbert and Sullivan Opera Company.

Next week’s concert on 14^th March 2026 is the Ondine Trio – violin, viola and piano.

Note: If you would like to be included on our email list for updates about the concert series, or would like to make changes to the contact details we already have for you, there is a form at the back of the Church, that you can complete.

Saturday 28^th February 2026 1:45pm – 2:30pm

Adam Davies – Piano

Programme

Anthony Hedges Prelude, Op. 5 No. 1
Schumann Träumerei, Op. 15 Kinderszenen No. 7
Debussy Golliwogg’s Cakewalk, L. 113 Children’s Corner No. 6
Anthony Hedges Variants, Op. 111
Mozart Sonata No. 11 in A major, K. 331
i. Andante
ii. Menuetto
iii. Alla turca
Anthony Hedges Five Aphorisms, Op. 113
i. Vivace
ii. Con moto e fluente
iii. Allegro vivace
iv. Lento
v. Allegro

Biography

Adam Davies (b. 1993) is a British pianist and piano teacher at Chetham’s School of Music and Rossall School. He is also an examiner for ABRSM and director of St. John’s Festival Orchestra in Chester.

As a recital and concerto soloist, Adam is active throughout the UK and has played at a number of the country’s finest venues. With a vast repertoire spanning the Renaissance to the present day, he enjoys promoting the music of lesser-known and contemporary composers as well as the great standard works, including music by Orlando Gibbons, York Bowen and Thomas Adès. In 2019, he commissioned and gave the world première of Tom Harrold’s Crux, and in 2025 he recorded the first volume of the complete piano works of Anthony Hedges, to be released over three volumes on Divine Art over the next few years. Concerto performances include Mozart K. 488, Beethoven No. 3, Grieg, Schumann, Brahms No. 2 and Rachmaninov Nos. 2 and 4.

Aside from his solo activity, Adam manages and regularly conducts St. John’s Festival Orchestra, directing of much of the standard symphonic and concerto repertoire. He has also played as orchestral pianist under the batons of Clark Rundell and Sir Mark Elder at Bridgewater Hall, and as duo partner with Kathryn Stott as part of Chetham’s International Piano Summer School.

Adam was winner of the East Coast Young Musician and EPTA UK Piano Competitions, semifinalist in the Royal Over-Seas League Competition, and finalist in the Wales and the Krystian Tkaczewski International Piano Competitions.

Having first learnt the piano under the guidance of his mother, his first formal study was with Irina Glushenkova, going on to later gain bachelor’s with honours and two postgraduate degrees with distinction from the Royal Northern College of Music, where his teachers were John Gough and Dr. Murray McLachlan.

While at the RNCM, Adam was a recipient of both Drapers’ and Oglesby Scholarships, winner of the Norman George Scholarship and Fergal O’Mahony Undergraduate prizes, and Gold Medal finalist. He was also fortunate to have benefitted from lessons and masterclasses with Philippe Cassard, Andrei Diev, Michael Lewin, Martin Roscoe, Barry Snyder and Kathryn Stott.

Next week’s concert 7th March – Johanna Leung, Clarinet and Henry George Page, Piano

If you would like to be included in our email Newsletter, or wish to make any changes to the contact details we have for you, please complete the form at the back of the church.

Saturday 21^st February 2026 1:45pm–2:30pm

Recital by students from Chetham’s School of Music and the RNCM

Programme

Grace Hughes (violin) and Alex Booty (piano)

JS Bach Violin Partita no. 2 in D minor (BMV 1004)
i. Sarabande
ii. Gigue

Bedrich Smetana for violin & piano “From my homeland”
i. Moderato
ii. Andantino-Allegro vivo

Tom Hughes (horn) and Evan Watkinson (piano)

Franz Liszt ‘Sposalizio’ from the Second Year of Pilgrimage: Italy for solo piano
Alan Abbott ‘Alla caccia’ for horn and piano
Saint-Saens Romance for horn and piano Op.36
Franz Strauss Nocturno for horn and piano Op.7
Arnold Cooke Rondo for horn and piano

Biographies

Grace Hughes (violin)
Grace is currently studying violin with Catherine Yates at the RNCM (first year) after several years learning from her grandfather, Martin Hughes. From North Yorkshire, Grace benefitted from the Yorkshire Young Musicians scheme based at Leeds Conservatoire and has enjoyed being a member of Opera North’s excellent youth orchestra. Grace was leader of the acclaimed Tees Valley Youth Orchestra, providing direction at venues such as the Glasshouse in Gateshead and in various cathedrals on a tour of northern Spain. A versatile musician, Grace also loves to sing and play piano and is comfortable and accomplished in different genres such as folk, pop and improvisation. She is passionate about sharing music as a powerful tool for change and healing, enjoying outreach experiences playing in care homes and in her ambassador role for Orchestras for All.

Tom Hughes (horn)
Younger brother of Grace, Tom is currently in his final year at Chetham’s School of Music where he studies with Lindsey Stoker. Prior to Chetham’s , Tom greatly benefitted from lessons with Catherine Hewitt in Ripon, and also enjoyed his time in the Tees Valley Youth Orchestra. More recently Tom has benefitted from an access scheme which has enabled him to perform twice with the BBC Symphony Orchestra at their famous Maida Vale studio in London. In 2025 he performed in lunchtime recitals at the Bridgewater Hall and Stoller Hall respectively and has had masterclasses with Ben Goldscheider and Martin Owen. He was recently offered a scholarship to study at the RNCM though is likely to take up a place at the Royal College of Music in London where he hopes to pursue his dream of becoming a professional horn player.

Alex Booty (piano)
From Norfolk, Alex now studies piano at the RNCM with Annabelle Lawson (first year). A graduate of the distinguished Aldeburgh Young Musicians scheme, Alex has enjoyed masterclasses with internationally acclaimed pianists including Zeynep Ozsuca, Fred Thomas and Tyler Hay. He won the Inspiration Trust Piano Competition in 2024 and 2025.

Evan Watkinson (piano)
From Doncaster, Evan is an upper sixth student of piano and saxophone at Chetham’s School of Music where he learns with Jonathan Middleton. Evan is also looking forward to continuing his musical studies in London at the Royal College of Music.

Next week’s concert 28^th February Adam Davies, Piano

If you would like to be included in our email Newsletter, or make any changes to the contact details we have for you, please complete the form at the back of the church.

WACIDOM is a voluntary run music society and charity that holds free lunchtime concerts on Saturday afternoons at Holy Trinity Church in Warrington Town Centre. All our concerts are funded by donations.

Our main aim is to offer opportunities to young student musicians, most often from the Royal Northern College of Music and Chetham’s School of Music, but sometimes further afield. We also support musicians at the start of their careers as they build repertoire, confidence and platform skills.

In 2024 we celebrated our 500^th free concert which was played by Patron, Leon McCawley and Patron, Sir Stephen Hough kindly offered to play a December concert, to bring our celebratory year to a close.

Sir Stephen asked that donations were to go to WACIDOM to support our work with young and aspiring musicians. He was there once!

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